Behind the signs include spinning green shapes of the diamond’s fragments. More construction signs, some of which contain dancing silhouettes of the coach zoom upwards while flashing. Behind the diamond and the lights are close-ups of cranes (which are light red before the verses and the same color as the diamond’s corners during the verses) that appear to lift things up.ĭuring the bridge, the diamond suddenly flashes a light blue, illuminating the background and fading to black before the background flashes blue. Then, the diamond is replaced by a diagonal line of moving construction lights.
The corners of the diamond are light blue and flash white at times. The sides and the diamond are now encrusted with construction lights that spin quickly and beat to the time of the song. A yellow spinning crane duplicates every time the beat drops, and the duplicated cranes follow suit all the way to the verses, in which the background becomes teal. LED construction signs adorn the sides of the mechanics, which are now purple and covering the sides. When the first three stanzas in the choruses end, another circle of pink cranes, slightly darker than the previous circle surround the previous circle of cranes, with the diamond in the middle flashing to the beat.Īfter the choruses, the background expands and turns a deep red. A circle of pink cranes spin counterclockwise while their jibs move in different directions. Golden excavators spin and double (So it stars of with two then four and then eight etc). In the choruses of the song, the entire background becomes indigo, and the corners of the background now include light blue mechanics spinning in different directions. Every time the beat hits in the intro, a dark blue color spreads outwards from the diamond, and the triangles are revealed to be four black construction signs surrounding it. The routine starts off with a black background with large diamonds, with one in the center, and triangles adorning it.
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